Hairstyles Revival in time

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Le acconciature al pari degli indumenti seguono delle tendenze ben precise spesso in linea con un mood che riporta in auge fogge del passato. Ecco alcuni hairstyle che ho studiato e che sono frutto di rielaborazioni di mode più vecchie.

Hairstyles like garments follow trends often in line with a mood that makes comeback styles of the past. Here are some hairstyles that I have studied that are the result of reworkings of older fashions. Follow me for more.

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Haistyle: 1855 vs 1955

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Louise Brooks in 20s – Cher in 1972 by Richard Avedon

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Tricia Helfer for Yves Saint Laurent in 1996 vs Betty Grable in 40s

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Pageboy from 70s to now with Alice Kastrup. Ph credit Filippo Del Vita for Creem Magazine

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Rolled Hair in 70s and Guido Palau from “Hair” 2014

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1940s waves and make-up from Hedy Lamarr to contemporary Katy Perry

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Supermodel Eve Salvail in glorious 1994 vs Dior men 2018

The #bighair of #PriscillaPresley in 1968 are now on #Valentino runway

The #bighair of #PriscillaPresley in 1968 are in 2018 on #Valentino runway

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Annunci

Divas of Fascist Cinema

Alida Valli Ghergo Luciano Lapadula blog moda storia attrici fascismo moda fashion history photography history blogger libro

Il volto scolpito nel marmo, uno sguardo insieme sensuale e spietato che allude all’erotismo più feroce di quei giorni bui. Le labbra violacee evidenziano un sorriso amaro, sprezzante, fiero del proprio sublime incanto. Sono le dive del cinema fascista, in un’Italia umiliata dalla guerra regnano sulle superfici dell’illusione per regalare un sogno a chi di illusione perisce.

The face sculpted in marble, a sensual and ruthless glance that alludes to the most ferocious eroticism of those dark days. The violet lips show a bitter, contemptuous smile, proud of its own sublime charm. They are the divas of Fascist cinema, in an Italy humiliated by war thay all reigns on the surfaces of illusion to give a dream to those who are diyng by illusion.

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alida valli fascismo cinema Luciano Lapadula blog moda storia attrici nazi beauty creepy moda fashion history photography

Alida Valli – From a Fresh Look to a Dark Lady – Venturini

Alida Valli Ghergo Luciano Lapadula blog moda storia attrici fascismo moda fashion history photography

Alida Valli. Ghergo

luisa ferida

Luisa Ferida

Leda Gloria

Seductive Leda Gloria – Ghergo

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Leda Gloria – Venturini

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Elisa Cegani – Ph unknown

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Elisa Cegani from in “LA CORONA DI FERRO” di Alessandro Blasetti, 1941. Winner of Coppa Mussolini award

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Clara Calami: the first italian “Dark Lady” actress

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Clara Calamai. I think she worn Ferragamo platform shoes. Could be now

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Elsa De Giorgi – Peek-a-Boo hairstyle. Ph Venturini

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A perfect face. Elsa De Giorgi

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Amazing Beauty: Doris Duranti, the most loved by dictators

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Doris Duranti, the fascist actress, by Elio Luxardo

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Isa Mirande: the platinum italian Dietrich

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Isa Miranda, who arrived in Hollywood, was greeted with clamor by the public and by Paramount

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5 drawings from Andrew Loomis that look as 90s supermodels

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La riflessione sulla bellezza porta a percorrere strade impervie, in cui è facile smarrirsi nella ricerca della perfezione che lasci riconoscere il bello in senso universale e oggettivo. Da qui parte il fremito che mi ha attraversato quando ho visto i disegni di Andrew Loomis: in alcune sue opere degli anni ’40 infatti, pare l’artista abbia ritratto alcune supermodelle anni ’90 anticipandone l’immagine di 50 anni circa. Vediamo tre di questi miei confronti.

The reflection on beauty leads to travel through impervious roads, in which it is easy to lose oneself in the search for perfection that allows us to recognize beauty in a universal and objective sense. From here starts the thrill that crossed me when I saw the drawings of Andrew Loomis: in some of his artworks from 40s it seems the artist has portrayed some supermodels of the 90s anticipating the image of that kind of beauty about 50 years. We see five of these comparisons of mine.

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andrew loomis linda evangelista yellow suit art blog fashion museum storia luciano lapadula moda christian dior 1992 1993

On the right Linda Evangelista for Christian Dior 1992 1993

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On the right Shalom Harlow in 1995

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On the right Carla Bruni for Yves Saint Laurent ss 1996

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Still Yves Saint Laurent 1996

andrew loomis supermodel 90s 40s hairstyle makeup art blog fashion museum storia luciano lapadula moda yves saint laurent ss summer 1996 90er eva herzigova top

On the right supermodel Eva Herzigova 1993 ca

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When Madonna was Evita

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Cinema, Moda, Musica incontrano la storia. Siamo nel 1996 e una camaleontica Madonna indossa i panni di Evita Peron, attrice e adorata First Lady argentina nell’immediato dopoguerra. Per il film, diretto da Alan Parker, Italia e Francia gareggiano tra loro in sala costumi: la sartoria romana Tirelli cura il guardaroba con Penny Rose, vestiti e tailleur ricreati su modello di quelli indossati da Evita si alternano a capi autentici anni ’40 e il New Look di Dior trionfa per la sera con autentici capolavori di alta moda.

Le pellicce indossate da Madonna sono create da Fendi, per la casa di moda un classico dai tempi di “Gruppo di Famiglia in un Interno”. Per le calzature, invece, ci si ricorda di Ferragamo, brand amato in vita dalla Peron. Nulla dunque è trascurato, le bellissime acconciature di Martin Samuel completano un aspetto il cui risultato è straordinario: il film vince l’Oscar e la costumista, per gli 85 abiti presenti nel film, si aggiudica il BAFTA.

E forse questo grande lavoro di ricerca e ricostruzione sarebbe piaciuto a Monsier Christian Dior, il quale un giorno disse:

“l’unica regina che io abbia mai vestito è stata Evita Peron”.

Luciano Lapadula

Cinema, Fashion, Music meet history. We are in 1996 and a chameleon-like Madonna wearing the clothes of Evita Peron, actress and beloved Argentine First Lady in the immediate post-war period. For the movie, directed by Alan Parker, Italy and France compete in the costumes room: the Roman tailoring Tirelli takes care of the wardrobe with Penny Rose, clothes and suits recreated on the model worn by Evita alternate with authentic ’40s and Dior’s New Look style gown for the evening with authentic high fashion masterpieces. The furs worn by Madonna are created by Fendi, for the fashion house a classic from the time of “Conversation Piece”. For the shoes, however, they remember Ferragamo, a brand loved by Peron in life. Nothing is therefore overlooked, the beautiful hairstyles of Martin Samuel complete an aspect whose result is extraordinary: the movie wins the Oscar and the costume designer, for the 85 dresses in the film, is awarded the BAFTA. And perhaps this great research work and reconstruction would have pleased Monsieur Christian Dior, who one day said:”The only queen I ever dressed was Eva Peron.”

Luciano Lapadula

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madonna as evita peron dresses same fashion dress fur fashion cinema movie history moda gown dior fendi white suit tailleur christian hat

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